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WikiZero - The Story of the Youth Who Went Forth to Learn What Fear Was

There is a very light stain on back of fly leaf. On his third and final night in the castle, the boy heard a strange noise. Six men entered his room, carrying a coffin. The boy, unafraid but distraught, believed the body to be his own dead cousin. As he tried to warm the body, it came back to life, and, confusedly, threatened to strangle him.

The boy, angry at his ingratitude, closed the coffin on top of the man again.


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An old man hearing the noise came to see the boy. He visited with him, bragging that he could knock an anvil straight to the ground. The old man brought him to the basement and, while showing the boy his trick, the boy split the anvil and trapped the old man's beard in it, and then proceeded to beat the man with an iron rod. The man, desperate for mercy, showed the boy all of the treasures in the castle.

The following morning, the king told the boy that he could win his lovely daughter. The boy agreed, though upset that he had still not learned how to shudder. After their wedding, the boy's continuing complaints annoyed his wife to no end. Reaching her wits' end, she sent for a bucketful of stream water, complete with gudgeons.

Die Märchen-Mörder (The Fairytale Murderer)

She tossed the freezing water onto her husband while he was asleep. As he awoke, shuddering, he exclaimed that while he had finally learned to shudder, he still did not know what true fear was. The fairy tale is based on a tale from the German state of Mecklenburg and one from Zwehrn in Hesse , probably from Dorothea Viehmann, [2] as told by Ferdinand Siebert from the area of the Schwalm. In the first edition of "Gut Kegel- und Kartenspiel" translated "Good Bowling and Card Playing" from , the story is limited to the castle and begins with the king's offer to win his daughter when she turned The hero is not a fool but merely a bold young man who, being very poor, wishes to try it.

Hedwig von Beit interprets cats as the forerunners of the later ghost: They suggest a game which the ghost plays in some variation too, and are trapped like him. The underworldly aspect of the Unconscious appears, when consciousness treats it in a disapproving fashion, just as the naive not actually courageous son does in compensation to the behavior of the others. He naively treats ghosts like real enemies, and does not become panicky, so that the unconscious conflicts can take shape and can be fixated on.

The woman shows him the part of life, which he is unconscious of. In many variants he is frightened of looking backward, or of his backside, when his head is put on him the wrong way round, which is interpreted as a view or glimpse of death or the netherworld.

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Chotjewitz wrote, one had never taught him words for feelings, which he now connects with his supposed stupidity. Even a child would know repressed, unjustified fears, which appeared at night in bed. Sexual fears would mostly be detested. Maria Tatar wrote in that although the hero of this story is a youngest son , he does not fit the usual character of such a son, who normally achieves his goals with the aid of magical helpers.

Accomplishing his task with his own skill and courage, he fits more in the mold of a heroic character. The tale is part of the collective of not uncommon stories in which a swine herd, a veteran or a vagrant prince - always someone from "far away" - wins a king's daughter and inherits the father "half the kingdome" etc.

It is the story of a matrilineal inheritance in which daughters, and not sons inherit. If the story moves along into a patrilineal society, one needs a strong explanation to understand the solution — here the rare gift, never to be frightened and an unusually resolute wife. The story has also been adapted for television. Jim Henson 's The Storyteller featured an adaptation of the tale in the first season, second episode as "Fearnot". Images, videos and audio are available under their respective licenses.

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