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His hands were occupied by a pair of revolvers, and he was turned in the saddle. The head of the pursuing crowd lurched around the elbow-turn; fire spat twice from the mouth of each gun. Two men dropped, one rolling over and over in the dust, and the other sitting down and clasping his leg in a ludicrous fashion.

But the crowd was checked and fell back.

Much more than documents.

By this time the racing horse of the fugitive had carried him close to the hotel, and now he faced the front, a handsome fellow with long black hair blowing about his face. He wore a black silk shirt which accentuated the pallor of his face and the flaring crimson of his bandanna. And he laughed joyously, and the watchers from the hotel window heard him call: "Go it, Mary.

Feed 'em dust, girl! Bull Hunter.

Hunter was a man who could rip a tree trunk from the ground with his bare hands or tame the wildest stallion with his kind manner. Nobody west of the Pecos would have dared run afoul of the mighty frontiersman. But Pete Reeve didn't have the reputation of a dead shot because he relied on his common sense. With gusts of wind fanning it roughly, the flame rose fast. Harrigan made other journeys to the rotten stump and wrenched away great chunks of bark and wood.

Oh no, there's been an error

He came back and piled them on the fire. It towered high, the upper tongues twisting among the branches of the tree. They laid Kate Malone between the windbreak and the fire. In a short time her trembling ceased; she turned her face to the blaze and slept. Riders of the Silences. The Great West, prior to the century's turn, abounded in legend. Stories were told of fabled gunmen whose bullets always magically found their mark, of mighty stallions whose tireless gallop rivaled the speed of the wind, of glorious women whose beauty stunned mind and heart.

But nowhere in the vast spread of the mountain-desert country was there a greater legend told than the story of Red Pierre and the phantom gunfighter, McGurk.

August Strindberg - Wikipedia

These two men of the wilderness, so unalike, of widely-differing backgrounds, had in common a single trait: each was unbeatable. Fate brought them clashing together, thunder to thunder, lightning to lightning. They were destined to meet at the crossroads of a long, long trail Ronicky Doone. Ronicky Doone is a hero of the west, respected by the law-abiding citizen and hated by bushwhacking bandits. Bill Gregg is a man in love, not about to be deflected from meeting his lady love for the first time, and willing to stand up to the living legend to reach her. This initial meeting leads to a friendship between the two and they travel east to New York City on the trail of the girl.

When they find the girl, Caroline Smith, and she refuses to leave, Ronicky must discover the secret that holds her. They encounter the sinister John Mark and the beautiful Ruth Tolliver and are exposed to the horrors and vices of big city life as they attempt to rescue Caroline and find their way back to the mountain-desert of the west. Strindberg was much more concerned with the actors portraying the written word than the stage looking pretty. The theatre eventually went bankrupt in , but did not close until Strindberg's death in The newspapers wrote about the theatre until its death; however, Strindberg felt it was entirely unsuccessful.

He felt that he never had the opportunity to successfully stage a play the way he wanted to— which was the purpose of the theatre in the first place. During Christmas , Strindberg became sick with pneumonia and he never recovered completely. He also started to suffer from a stomach disease, presumably cancer.

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He died on 14 May at the age of Strindberg was interred in the Norra begravningsplatsen in Stockholm, and thousands of people followed his corpse during the funeral proceedings. A multi-faceted author, Strindberg was often extreme. His novel The Red Room made him famous. His early plays belong to the Naturalistic movement. His works from this time are often compared with the Norwegian playwright Henrik Ibsen.

Strindberg's best-known play from this period is Miss Julie. Strindberg wanted to attain what he called "greater Naturalism. Strindberg felt that true naturalism was a psychological "battle of brains": two people who hate each other in the immediate moment and strive to drive the other to doom is the type of mental hostility that Strindberg strove to describe. He intended his plays to be impartial and objective, citing a desire to make literature akin to a science. Following the inner turmoil that he experienced during the "Inferno crisis," he wrote an important book in French, Inferno —7 in which he dramatised his experiences.

He also exchanged a few cryptic letters with Friedrich Nietzsche. Strindberg subsequently ended his association with Naturalism and began to produce works informed by Symbolism. He is considered one of the pioneers of the modern European stage and Expressionism. The history of the Paris Commune , during , caused young Strindberg to develop the opinion that politics is a conflict between the upper and lower classes.

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He was admired by many as a far left writer. He was a socialist or perhaps more of an anarchist, which he himself claimed on at least one occasion [ ] [ ].

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Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style — the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots — and he was not loyal to any party or ideology.

Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed the conviction that life and the prevailing system was profoundly unjust and injurious to ordinary citizens. The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as However, during other periods he had wildly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably.


Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books. In satirizing Swedish society — in particular the upper classes, the cultural and political establishment, and his many personal and professional foes — he could be very confrontational, with scarcely-concealed caricatures of political opponents.

This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle. Strindberg, something of a polymath , was also a telegrapher , theosophist , painter , photographer and alchemist. Painting and photography offered vehicles for his belief that chance played a crucial part in the creative process. The paintings that are acknowledged as his were mostly painted within the span of a few years, and are now seen by some as among the most original works of 19th century art. Though Strindberg was friends with Edvard Munch and Paul Gauguin , and was thus familiar with modern trends, the spontaneous and subjective expressiveness of his landscapes and seascapes can be ascribed also to the fact that he painted only in periods of personal crisis.

Anders Zorn also did a self-portrait. His interest in photography resulted, among other things, in a large number of arranged self-portraits in various environments, which now number among the best-known pictures of Strindberg.

Alchemy , occultism, Swedenborgianism , and various other eccentric interests were pursued by Strindberg with some intensity for periods of his life. In the curious autobiographical work Inferno —a paranoid and confusing tale of his years in Paris, written in French—he claims to have successfully performed alchemical experiments and cast black magic spells on his daughter. Strindberg was age 28 and Siri was 27 at the time of their marriage.

He was 44 and Frida was 21 when they married and he was 52 and Harriet was 23 when they married. Late during his life he met the young actress and painter Fanny Falkner — who was 41 years younger than Strindberg. She wrote a book which illuminates his last years, but the exact nature of their relationship is debated.

He was also related to Nils Strindberg a son of one of August's cousins. Strindberg's relationships with women were troubled and have often been interpreted as misogynistic by contemporaries and modern readers.